Poem: 3 in the morning (God loves you)

Poem: 3 in the morning (God loves you)

Sometimes at night
I think of you
(I’m lying – I always think of you)
There’s nothing else I’d rather do
It’s the bittersweet sting of being hopelessly enamored with you

The more you want it, the farther away it becomes
You stay up late and say you’ll sleep next to the sun
He says he’s running late, but he never does come
That’s the sad truth about not being the only one
I twirl my hair
I spin around
I choke so hard I fall to the ground
And if you calculated my efforts, I’d pay by the pound
I’m lost in abysmal and undulating surround sound

He put black padding on the walls to keep the voices quiet
Asked me what my favourite wine was and said that he’d buy it
Passed me angel dust, but I said I won’t try it
This time I’m not lying
It hurts more to keep trying
Don’t blame it on timing
If I am dust, you are worn out leather from a cow that loved to live and breathe fresh air
You ran your fingers through my soft, blonde hair
I knew you were unaware
You had me right there
You had me

Boys have short attention spans, so I’m working on making my poems shorter
As if a somber gaze doesn’t scratch at the envelope
As if the disposable cardboard coaster I kept from the bar we went to last year isn’t practically at its wit end
But I stare at it at night and I like to pretend
That you and I will never end
(You spin me round and round, you scream, you bend)
I only liked when you were drinking
Because you never stopped talking
And I could listen to your words for endless summer days

I’m watching my step
I’m too sharp for this town
I reached the vault of heaven, but you pushed me back down
And every time I walk away from you, I turn right back around
You’re the most beautiful thing that I have ever found

And if you want me, please tell me
That’s all that I ask
Because I don’t know how much longer
I can contain this chaotic energy, it’s only a setback
It pays for my grave
Collects debt at the tollbooth
Serves me a clean slate I can’t afford and makes it taste like dry vermouth
A botanical celestial atmosphere where there was you and I appeared and you said come here, baby girl, my doe-eyed dear
Please, my angel, don’t you ever disappear

I say never
Won’t do it
I’ll always be here

But you’re so distant from me that my words sound unclear
And the walls are blurry and they’re bleeding red
And I bought pink satin sheets for my queen-sized bed
And I wait every night for you to come fall sleep
But if your love cuts my skin, it doesn’t go very deep
If your flaws were secrets, they’d be mine to keep
And I replay your laugh in my mind on fucking repeat

I know only one thing that’ll make me complete
But if it’s me against her, I’m too weak to compete
I am a glacier dissolving in sunburns and aggressive summer heat
But I still thank God because he arranged for us to meet
I know it as much as I love the window seat
But I see you and her, so I make a spreadsheet
Of all the ways this is going to kill me
Please stop, only you can heal me
I need you like candy
I crave all of you
I know that my hopes are too good to be true
So I lay on the concrete, I only see in ocean-blue

I scream at God for letting me fall in love with you
It’s 3 in the morning
There’s nothing else to do

© Elle Silvestrov

I only liked when you were drinking
Because you never stopped talking
And I could listen to your words for endless summer days

Poem: 3 in the morning (God loves you)

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Poem: My boyfriends are always musicians

Poem: My boyfriends are always musicians

I want another musician boyfriend
In the wind, in the mountains that fumble over each other
Like blue ice cream, and you’re drinking the most sour lemonade
I remember being in the fifth grade
I remember when you and I were on the same page

You tell me I’m pretty
I say, let’s get out of this city
I want the thrill and the madness
Chicago winters when I was the baddest
And I kept thinking, I have this
I kept thinking, I have this
I kept-

I have nothing to talk about now that he stopped talking to himself
Turned the act around, got out of town
And he was gone like that
I wish I could say it was in the summer, but he said that he still loved her
And my aloe vera plant died like three times that week

My best friend thinks I’m weak
I can tell because I think she’s too afraid of getting closer to me
Which as a walking human charade I can see where there’s disinterest in the grand scheme of things
I knew it was in the library that I lost my opal ring
That was the day Rachel wore that blue shirt
She looked so good that it hurt
I’ve thought of every way this could go, and I’m just out of step
So if you asked me what I need, I’d say it’s out of my grasp
But I’m pretty on the inside
I don’t collapse like that
I run, and I fetch, but I don’t bring it back
I only execute what is carefully planned
I miss the warm days of playing around in the sand
I miss when you wrote songs about me with your little boy band
I miss you reaching for my hand

And if you asked me if I would use pretense to get to where I want to be
I would take that high jump
I would be out there too

But there are things to think forth to, like Russia and France
No last line
No valentine
No hopes this time

I’m renovating my life into something brand new
It’s the only thing that’ll motivate you
To depart from this sick, sad, bleached residue
All I think about is you
All I think about is you
All I think about is you
All I think about is you

Remember, standing on the balcony
Drinking Mountain Dew
I never considered falling out of love with you
They said when you break up, it’s just something you do

I must be screwed up beyond repair
He was having an affair
And all I could do was stare

It was almost like she was here, and I was there

No last line
No valentine
No hopes this time

All I think about is you
All I think about is you
All I think about is you
All I think about is you
And all I could do was stare

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Poem: Mid-18th century French (intoxicating you)

Poem: Mid-18th century French (intoxicating you)

I’m baby blueprint in grid print intoxicating you
I’m the Fourth of July, 3 summers ago when we got high
We asked when did we stop having the times of our lives

My neck is so hurt, it’s too much for me to look down
But I always do
Redirect to separate avenues
Skateboard to my house, I’ll come out for you
Green apple lollipop, sour
Teach me your tricks and make it rain for a half-hour
Just enough to get the grill hot
Just enough to get me to take the most bone-chilling cold shower
I’m coming in hot
But I always leave so cold
In the cab I sit there- forlorn, morose, staring at the floor
Letting the kids run by and do what they’re told
I reminisce about the days when to be elegant wasn’t to be bold, and I coughed like raindrops like saran-wrap covering old left-overs
If it rains it pours, well you’re leaving – I’m sure
You always thought your music taste was so obscure
If it rains, it pours
Well, you’re leaving – I’m sure

I’m melting into hydrocodone bitartrate so crystallized you’d sell me for my Chemistry degree and put my name on your white t-shirts
Spray mist on your face until you’re reimbursed
Like daggers, how smooth you are when fatalities aren’t your responsibility, and you make your way down to the ferry where the starfishes know your name and keep it a secret
Nobody cares anyway

I’m coming in hot
But I always leave so cold

It’s too much for me to look down
But I always do
Reaching separate avenues

I said, life is a gamble
But I’m covering my face with my hands
My life is in shambles!
Can someone help me escape from this nonchalant misery I’ve so gracefully pretended is how to live a life?
I don’t make sense to anyone
I’m always deleting phone numbers
Past lovers
The smothered
The weak and the downtrodden, England in the shade
Four in the afternoon
Crisp, deafening cave
When you and I were little, we loved to misbehave
But now the landlord is asking for payments for our graves
And it’s mid-18th century French and it means
“Go fuck yourself”

Somber
Oppressively sober in mood
He looked at her with this decadent tone that I’d almost call smooth
If it wasn’t for the violence we heard up the street
The night skies were starless
I fell asleep regardless
I just wanted to escape for a week or two
I never knew my nightmares would come true
I liked the dark and the dull in colour but honey, what happened to you?
What’d they do to you?
What are you so scared of?
Why do you still try to write songs out of my poetry?
Why do you recycle and reread my emails?
Why do you send me false compliments in the mail?
Why’d you hire an attorney when you’d likely be better off in jail?
I don’t particularly adapt to being hated
I just deal
Fifty-dollar bill
I have a white dress that makes me look like a ghost and I thought I met a new boy that would love me the most
But he’s slipping out of my fingers, of course
Tell me I’m not predictable

Grey daffodils, crisp July skies
I just wanted to escape for a week or two
I never knew my nightmares would come true
It’s November and there’s not much more to expect from the undesirable residue
I just hoped I could sit down and paint you
Make something beautiful
Capture a black button-down shirt

Was it good when it hurt?
I’m stumbling over forgotten words
Insecure (or in great difficulties)
He was miserable without her

All is not lost
There is still some chance of success or recovery
But me, haha, me?
Sometimes when a defeat has been sustained
It’s better for everyone involved that you don’t speak my name

Not that there is much to be ashamed
It’s just
Was it good when it hurt?
I told you over and over,
I’m not a good flirt

I’m not a good flirt

If it rains, it pours
And it’s mid-18th century French and it means
“Go fuck yourself”

Poem: Waves (key of D minor)

Poem: Waves (key of D minor)

You are
Honey wire
And I’m trembling and downcast, so you throw me in the fire
My appearance may seem neat, and I’m charming and upbeat
But despondent and you know it
So we get along

My crush on you is set in the key of D minor, playing at approximately 230 beats per minute

Airs and graces, airs and graces
Conceit and peril
Your upstairs neighbor plays Lana Del Rey all day, so you can’t get over me
I tell you, that sounds like a personal problem
Me, I’m dissolving into hazy disputes between obsidian and like-minded jewels and magnified atrocities like speckles on black rocks that we find at the beach when we’re competing to find the most beautiful of wonders
The waves crash
The waves crash
You’re becoming attached
I text you right back

I told you I’m not bitter, I’m just soft and destructive
You’ll fall in love with me because I’m accidentally seductive
My best talent is in being constructive
But nobody wants a girl that tells you who you should be
And that’s a disadvantage on their behalf

If you could choose wisdom, why wouldn’t you have
I’m struggling to come to terms with that

I feel bad for making fun of you for your pride because I think you’ve got a sentimentality to hide
And it may be against my best interest to decide to deride
But you took me surfing, and I had the best time of my life
Falling over and over and over for you
(Just kidding) the waves
Amethyst haze
You tried to hold my hand when we entered a natural cave
On the beach with eighty-one pounds of bleach
Nothing makes sense when you’re a ball of pretense
Mid-17th century tone to your writing, which I like because it’s fancy, and I didn’t know you were the fancy kind
For such a laid-back guy
We swam in the same ocean with different eyes
I submerged into the sea because I was taken up by the tides, and it led me to disassemble my crystallized disguise that I only put on for show because underneath I am nothing but dark, glass-like volcanic rock, and I’m not sure whether that’s your type

The waves crash
The waves crash
You’re becoming attached
I text you right back

My best talent is in being constructive
But nobody wants a girl that’s this small and destructive
What happens when it’s me that crumbles?

But nobody wants a girl that tells you who you should be
And that’s a disadvantage on their behalf
If you could choose wisdom, why wouldn’t you have
I’m struggling to come to terms with that

I’m struggling to come to terms with that

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Poem: Crimson blood galore (underwater)

Poem: Crimson blood galore (underwater)

They say, why are you this way
I don’t get it
Why can’t you change your ways?
And in response to my long-overdue dismay,
I smile
A bit
A tad
A cinch
Enough to make you spontaneously disappear
From my mind
That’s clear
Ocean water flowing over here
A water goddess thick with cement and tears to spill
Over-emotional until
Over-sacrimonious until
The water in the faucet gets swallowed up by the drain
And I lie beside my bedroom window, staring fondly at the rain
The pain, the aches, the pain
To my dismay
I’m born again today

We missed you last winter
And the three winters before that
You disappeared at the drop of a hat
A raccoon, a skunk, a snake, and a bat
Can I have my healthy father back?

You disappeared until
The cockroaches, in vast numbers, grew taller and taller
I prayed and I wished to get smaller and smaller
I knew by December that you weren’t coming back
I knew in April how to rehabilitate a heart attack
But it wasn’t yours upon which to act
And I wasn’t getting you back
It hit hard and felt sad and drove me straight into the deep
Underneath where I’m found now
Thick layers thus far I seep
And everybody around me weeps

I unfolded and turned out to be obsolete
I’m not particularly pretty, but I’m sharp on my feet
In battle, I know the right point to retreat
I’ll take the heat
Swallow it up
I’m shallow, but in ways you’ll come to adore
Me, untangled – me, free
Me – hopelessly, irrevocably
Come see me
Stay by my side and wait
Don’t grow impatient, stay
Watch my most beautiful act of decay
And disappearance
From the trenches
Last that you hear
I’m over the fence
And gone with the wind
I’m tired of the things everybody does to each other here

Holding a picture of my father in battle, in war
Until God forced out his last breath
Heaven-sent
I’m shallow, but in ways you’ll come to adore
But shallow waters weren’t what he had in store
Crimson blood galore

Save me before I keep on breathing
Save me, these people keep on leaving