Tag: aesthetic photography

Love poem for him: earthquake

distantcaveLeave a comment

Love poem for him: earthquake

You know I stopped myself before I could love you
But
We broke apart
And I can’t help but stare
At your blank, sad face
And the only thing sad about it
Is that you’re not afraid to let me go
You’re not afraid to let

I tried to wake up
But I’m always on the wrong side of the bed
We never got to have that night in the hotel
We never got to have that heavenly first dance
The first and the last pages don’t make me too sad
It’s the way the world turns
Your fingers latched on
Not very tight
Like a blouse that’s unloosened
A foggy memory that never becomes clear

I’m trying to relive the skyscrapers and unraveling chaos
Though all that comes to mind in abstract vision and delusion,
Is you screaming in my direction
Telling me to stop
Telling me to stop
Telling me to stop

What makes you so afraid
To show love to an unloved person
The way you play guitar
It makes me so sad
It makes me so sad
Not for anything do you feel bad
Like grey, fallen embers on a cold winter night
Even though you’d say you’d never
Be there for me
Your sovereignty
Your power

And I remember you
Telling me to stop
Telling me to stop
Telling me to
Telling me to stop

Feeling the things that only I do
The distance that separates me from jagged, carbon you
In ocean waves, we grasp at what feels familiar
What’s underneath us will quench our thirst
Yours, preferably
Mine, isn’t regarded
Unless it’s four in the afternoon & the sun is piercing your nerves
Telling you that these antics are your last fatal curse
I’m far removed
To tell you the truth
I do only the things the boldest among us do

I don’t wait until there’s nothing left to take
In the distance between your brown eyes
And these soft, fallen embers of Victorian blue
Crawl back
Crawl back
Panic attack
Mesh and in pieces
Forgive me for grieving

All ends in love, and love has its reasons
Come find me
Come find me
Come find me
Come find me

It’s so unnerving
Like an earthquake on purpose
It’s so delectable
Like you’ve lost your ability to reason

I’m always portrayed as the one who leaves the throne
Gown is disheveled, porcelain skin intact
Like an earthquake on purpose
Telling me to stop

Feeling the things that only I do
What has become of rage has given its way to you

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Love poem: Sweet nectar

distantcaveLeave a comment

Love poem: Sweet nectar

It’s the waves of sadness that trickle with madness
As I cascade onto the lost heavenly golden shore,
Like a goddess from a stolen shipwreck,
I swim upstream, like an airplane in the wind
I won’t press send yet
I’ll leave you diamonds and all of your belongings, arranged into their definitive but transient places
Sprawled amongst my living room
Garments, piles of yarn & cotton
I thought I had it, but my god I’ve lost it

The breathtaking splendor
Of an afternoon in November
When you cradled me like a little baby in your mariner’s arms,
Like a tomboy
Like a child
Like with you, I’d happily run wild
Any day of the week
Do you mind if I speak
Or leave love letters, here and there, for you to read
When your eyes are
Closing
In-between somber nighttime
The stillness I could never objectify

A smooth transition
Won’t you pay attention
I’ve got my hair in curls, a floral neckline
A passerby’s time
Glance at the clock
I almost forgot
I have to let the sheep out before the wolves come back
From hiding
They do like to do that
So rambunctious and eerie
They paint me quite freely

I do love their art – I go to all of their showings
Even when they take place on a Tuesday, or Wednesday, and I’ve got more work to do than I can account for

I’m a lady of charm
And you’ll always find me armed
That part you can disregard

Glock 23 G23 Pistol Semi Auto Firearm Handgun Schematic

I won’t shrink in your presence
I occupy a throne
I go to places where most would be too scared to step on their own
It’s my afternoon glow
When you find me on that smooth soft-stoned path,
The dismay leaving my eyelids as I cast you not an ember of a doubt
But a becoming smile
Welcoming
Almost
Briefly
Weeping
Holding to you closest, what you want most

And that is?
That is?
Something to never be replaced
Something I won’t touch lightly on
Whispering to those in particular who have the patience to sound my vowels and consonants out, deal with the aftermath
Elegantly
Soft in the evenings
Rambunctious – they all are
Their witch hazel broiler room ticking clock
Like apricots at a wedding
In the middle of February
For no reason, no reason
For no reason at all

I sat down with you, there, close to the prisoner’s fence
I wanted to inquire whether you loved me
I can’t remember what I said
But I did
And that’s that
You’ll run me a cold lavender bath
Finding my hazel glow a little too appealing
Hopefully, I hadn’t been too revealing
The room is spinning
And I am thinking

You’re like sweet nectar from a flower that’s never been held

© Elle Silvestrov

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Free verse love poem: Speaking volumes (white florals)

distantcaveLeave a comment

Free verse love poem: Speaking volumes (white florals)

I’m in the pool, with your gentle gaze moving toward the horizon
Smooth riverbeds, crashing yet
Solemn
Tender in their collapsing wake
My sovereign ways trap you like hurricanes
Find slumber in the rectitude of my rendition of a classic painting of a
Prince attending to a young queen
Dismayed at her place, though in a quiet peace,
That glances violently towards a moral upbringing
A softness I couldn’t portray

The Dressing of the Favorite (1857), oil on canvas, by Henri Pierre Picou (French, 1824-1895)

A sea-foam fog dynasty I swore was mine
I told you the truth
It mattered to me
I found thoughts in my mind that I couldn’t hold back, entirely
Though I did my best,
To provide you with rest
My satin sheath, vibrant with scarlet cardinal fibers
The delicate breeze, like rapture
Golden but never, truth be told, reflecting lightning that makes marks in the sky
A tribute to no one
Is every structure soon to fall down?
The bolts unfastened, my lace dress & ultramarine form
A silhouette only God could have created
A boldness that scares away anyone who isn’t
Strong enough
To hold a woman in his arms and
Not want to change her

The light pink August calendar I have on my contemporary glass tabletop
That forgot the date when we
Began things
Paved was our course with giving looks at each other like we’re in a vintage film
A theatre for just the two of us
Hopeful dedication
Watching our past conversations and having new conversations about those from before
We don’t run out of things to talk about
But when you find me watching the cars on the road pass by us, viciously,
Counting the trucks
Taking note of their model and make
You see something in me that I could not tell you
Not because I can’t find the right words
I always find the right words

Along the Siene, Winter (1887) by Frederick Childe Hassam (American impressionist painter, 1859-1935)

I don’t know what you know
And I don’t know if you know me
But when your gaze becomes increasingly familiar, I cascade into a
Reflection interrupted by the silliest words you stream together
A childlike ambiance, golden in accuracy
Crisp like a wave’s current
Interjected with passing a cigarette lighter
Getting higher
From rays of the subtle light of day,
Muted only in temperament
Dulcet on the edges
I told you I was yours
I meant it, of course

Le Baiser (The Kiss) (commissioned by the French state in 1888, carved between 1888-98) by Auguste Rodin (French sculptor, 1840-1917)

We stop at the gas station; you run in to the corner store; you bring me honey green tea
For your girl (that is a friend)
Patient and kind
A dove’s brisk white feathers
Softer than mankind
Rougher than a woman’s fingertips
Comfortable in the chaos
Surrendering to a time when you could count the green specks in my eyes
And smell my white floral perfume

It seems as of now we have moved on to the Heavens
Where you call me Venus
And I mistake you for someone I’ve never known before
An oceanic climate to the boulders we create
When we feel inclined to say
Why do I like you so much?
Why do I like when you’re rough?
I do still find, thinking to myself, whether I’m good enough
But when the porch light comes on,
I move the thought along
To the binder where I keep my disarrayed opinions
Resolving to find
Some water to allow
My throat to stop tightening when I get up during the night
Patience, my ever-present accomplishment, finds its way to you
Presenting an elegance you couldn’t get from anyone else

Improvisation (1899) by Frederick Childe Hassam (1859-1935), oil on canvas

I find myself in spaces
When you are absent
Distress being transient
Because your face is

A discernment I couldn’t get from anyone else

The Aleutian mountains and the disintegrating cliffs
Couldn’t mask the foundation I thought we’d bring
Resolving to find
Some water to allow

My throat to stop closing when I sleep at night
I wonder if styrofoam composure could fail to observe my fright
To weave in serenity in light shades of pink,

On days like today, I’m unsure how to drink
Come, lay in bed

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