Free verse poem: Things I’ve found out (the right season)

Things I’ve found out (the right season)

a free verse poem about finding stability & self-acceptance

I know
That things won’t work out as planned
I know that
Because my mother taught me how to be a man
But there are
Parts of me that won’t let someone hold my hand
Because I
Because I
Find graveyards appealing
Harsh winter thunderstorms healing
And the chaos within you is quite often revealing
Of the doom and dismay your surroundings convey
The filth
The agony
The dreams others built for you become destroyed
I’m my own person

But when I drive home at night
I don’t feel alone
I just know I am

It was cold in Chicago
And I wanted to lay down
In the snow
My frail body
Seldom appears melancholy
Singing you songs, breathlessly, to you in your sleep
Though my voice is never the right pitch
Maybe that’s why I wait
Until you hit your steady dream state
An abyss of perpetual ignorance to moral obligations

The impatience
Is testing me
Like a ticking clock
Telling me
I
Haven’t painted
The sky quite right
Haven’t gotten the stars
To my audience’s delight
And I think
I might combust
From the tainted, porcelain figure I often wish to set on fire
Because what burns
Feels so warm
In winter

It’s almost
February
The anniversary of
A thousand slumbers
A rainfall that struck me like
Lightning on the fast lane on the highway
Swerving between cars with my eyes closed
Thinking I’m oh – I’m just so composed
But me, parchment paper thick, practically comatose
Wouldn’t keep anyone up at night
When you haven’t
Made a name
For yourself
And nobody
Gets the intonation
In your full name quite right
Maybe it’s not
The right time
To say

That what burns feels so warm
In winter
My god
The shades of blue
How I’d devour the skyline
Like an arsonist,
I fade to grey
Along with the trembling cityscape

I encapsulate all the seasons & am easily forgotten

I only hope to properly portray
The vacancy light in this hotel I occupy

Me,
Against the wall
Cold, doll-like, confused
Fingertips
Painted the lightest shade of pink that the nail salon could offer me
If only,
I could be elegant
I could like parts of myself that others don’t
I could live my life like
My father envisioned

When he said to me

That I was born
In the perfect season
For a girl who prolongs
Finding a reason
To burn this place down to the ground

Hollow
Cave
Where my old journals remain
Where ex-boyfriends mispronounce my last name
They never remember the best parts of you
They never really knew
How to get through
How your eyes turn dark green when your favourite song comes on
Or when the colour temperature is five thousand Kelvin and
I feel ashamed
That I woke up to find
Myself
Not in embers
But filling a body
With wholeness that only

Real self-acceptance could develop and create

Something permanent
Is never
Found

I’m no good with directions but I don’t believe I’m lost
I’m exactly
On my own two feet
Waiting
To leave a message after the beep

But I hang up, because I remember
They can’t pronounce my last name
The intonation
Is weak
And I
Am so
Much farther than I thought I would be
At this time of my life
Are you, at all, surprised?

When I look
At the cars
Passing me by
On the highway,
I wonder
If they’re going
Somewhere warm and inviting

I don’t know why
That
To me
Feels so terribly frightening

Like a cradle filled with endless lightning

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Free verse poem: Belongings

Free verse poem: Belongings

This is a free verse poem about attachment and detachment – defeat on behalf of simplicity’s sake.

I didn’t expect myself to still feel like this
And my mother laughs because it’s only been a few days
But I feel like it’s dragging on
It’s dragging on
And we didn’t even come to the conclusion of what would become our song
So what am I here to do
Sitting in the corner of the modern, moss-green, vibrantly street-lit café,
A damsel in despondency,
A variation of your favourite four-course strings
A broken-down parlor path with a shiny diamond entryway and glass slippers lining the blizzard-sinking ships,
That match my cruelty
My taste for rabid tongue
The whispers I wouldn’t let you utter
And the hesitation you’d be lucky to never have suffered

Portrait of Princess Tatyana Yusupova (1850) by Franz Xaver Winterhalter, oil on canvas

A chance for melancholia to clash with the force of nature
To detract from a foreign film
A lost, aching still
An avalanche of surprise
Beguiled by sheer imagination and phosphorescent icing

That smothers a kingdom like the holiest ghost
Always bittersweet to the liking
Made for sharp, pristine vengeance

Sans Titre (Untitled) 115 by Eliane L. Guerin, oil on canvas

In my own reserved portrait of solitude
Gazing vibrantly at the majestic cars that drive by
The classics, the tragic
The ancient and recumbent
Reoccurring in stunning ways I could not even think to properly illuminate in due time
Typing
Silently
Wishing you were next to me
Smiling
The way you do
The way you do
So magnificent
Eyes glimmering in concave and crimson, blue
God, I was this close to being obsessed with you

I feel like
A teenager
An angry one
A bitter fool
Mad at myself because I brushed away the
The fleeting thoughts of nah, he won’t like me if I say that
Nah, he won’t like me if I wear that
Nah

The Bath (1874) by Alfred Emile Leopold Stevens, oil on canvas

I’m moving in circles because I forgot how to dance
I forgot how to feel alive
I trip over my own words
Everything is in disarray
I thought you were going
I thought you were going
I thought you were going to make it work
I thought you were
I thought you were
I thought you were going to make it work with me
I thought you were
I so thought you would have
Made it work with me
And that would be
Meaningful
Hopeful
Spontaneously planned
Crimson and clover all over
Soft rubber bands

Now you’ve got me in a pit and you
Hung up on me
I threw my cellular device on the street
I don’t want to talk to anybody
Anybody at all
Anybody at all
Anybody at all
Anybody at all

I’m not writing another poem about a boy that doesn’t have the strength to come
Tell me it’s not working
Stand there in your clandestine flesh
Stand there, giving me a real piece of yourself
Look at me with dandelions in my hair

Mending the Gown (early 20th century) by Adolphe Borie (1877-1934), oil on canvas, figurative artwork

Don’t say I’m too charming for you
Tell me I’m too alarming for you
Tell me I scare the living daylights out of you

And you’ve got other girls calling you
Answer the phone in front of me
Take the flowers out of my hair
Push me down on the tar-stained sidewalk
Bully me like you do on your bad days
Get your way

That’s how I want you to leave me

Not like
Not like
Not like
Not like
Not like
Not like
Not like
Not like

This image has an empty alt attribute; its file name is Open-Air-Interior-barcelona-1892-Ramon-Casas-i-Carbo.jpg
Open Air Interior Barcelona (1892) by Ramon Casos i Carbo, oil on canvas

Worn desperation
Mixing in fevers of separation

But I thought I
Belonged

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Thank you for your support – currently working on the cocktail party poetry collection.

xoxo