I told him he could have Any part of me that he wanted All the marble he envisioned Chilled and defeatist, but forever unmoving Sparkles that shape the tide of your marked ingenuity Cold heaven, sacred Worn out walls of fibers and satin sheath At sundown, we rest and reprieve Find solace in the mistakes that counted against us One by one
Rosemary falls beneath you like evangelical riverbeds Rainfall on a crisp white, bestowed meadow Damsel in distress, sitting at Cape Cod Breathing in the marine layer Decadent, but desolate perchance A personal favor for nobody In particular
If you have a minute Cos you always have a minute For me Save me some time Buy mine sharply, but not robustly Golden edges Soft-lit amber haze that spins like a year of soft rock (lamenting, slowly) Lightning Moons that belong to seasons and Seasons that belong to no one In particular
If ownership is inconsequential of time And we all have time For other people Do we, do we? What is it that we desire? If only If only I could have made my mark by now
I lapsed into a momentum where I could not shift my gaze correctly at the afterthought of How I made sense to nobody And nobody made love to me Why would they? Would they, even? Would I let anyone see me in that still? When my hazel eyes bend like the seas How could I summon anything more glamorous than how the evening resides in a French solitude that complements my need for quality alone time
When I am not made of silk or marble but Fragments of broken chamber orchestras That cascade like I’m running away from forever A soft drink on a Wednesday, in gloomy July A honeymoon for your favourite runaway bride
On the flight, they asked if I wanted alcohol And I erupted in a laughter that was Seemingly inappropriate For the vague informality of the occasion.
In rapture I used to be unable to feel thrills because my being did not accept them as kind One amongst the wolves Rambunctious and heroic in nature, but a hero to no one
Don’t get me confused I do find it amusing How the symphony plays all of their longest songs just for me And how nobody ever really takes hold of your name Or your posture When you’ve Spent your life Awake by pretense
An effort to be In combat, like a dove, A soft sparrow, seemingly longing for an ending to the illusion With whom? With whom do I share my fears! What cave do I run to when I’m cold, covered in mud Shivering and despondent
They know my face but haven’t counted the dots on my cheeks They don’t know what I look like when I cry Or why I do If I ever Decide to break the stillness of my figure That makes me heavenly in God’s eyes
There is no reason to run I say, I say to myself; I say it often. Settle here forever in the dawn of the styrofoam melted cacophony where I and you melt in two interchangeable pastel colours Decide to go on a journey because we are Bored And so tired of being chained to our demonic vanity mirrors
Alone But in plenty Of patient, never-forgetting ambitions & daydreams
I lost the ending to our story I just Let it slip Away from where I sleep at night
It scared me so I knew We were going down I knew You would not turn around And still Like a beat I’m made of memories Crystal castles Made of ashes My forgetful apprentice With wrath like a vengeance Misinterpreted my withdrawn Glances at the sharp, flawlessly glamorized corners of the living room (Mine)
Velveteen heart-shaped sunglasses When I’m asleep, you know it plays Again on repeat The things You said When my hands were in my lap I can’t Even sleep I can’t Even sleep I can’t Even sleep
I can’t Find a song That makes you make sense to me More than The last Few words you sent And how Fast I sank My teeth Into my hand To keep From setting my bedroom on fire
All the wires All the while – They surrounded me like filth Carcasses of your hypnotic, granite, carbon imagination An avalanche of insecurities, I thought I had Swallowed In a strawberry, lime, and gin cocktail Held fragile
An escape would be too good to be true Though it wouldn’t make me think less about you
Soft skin In collapsing horizons Pitfalls Two doves on a swing I’ll give you my everything Every last piece of marble and copper
In the mornings, we eat vegan butter on toast And our evenings of suffering remake every inhospitable, tarnished spider web That fills us with a skepticism Too delicate to absolve (Mine)
In waves, so transient A hospital bed With white flowers for For me, for me, for me For me, for me, for me For me
And I deleted my profile because I can’t handle falling in love again I can’t help I can’t handle I can’t handle falling in love again I can’t help I can’t handle I can’t handle falling in love again I can’t help I can’t hang I can’t feel
Anything that could get me close Anything that could get me close
We were so close I can’t help I can’t help Thinking we were so close,
This is a free verse poem about attachment and detachment – defeat on behalf of simplicity’s sake.
I didn’t expect myself to still feel like this And my mother laughs because it’s only been a few days But I feel like it’s dragging on It’s dragging on And we didn’t even come to the conclusion of what would become our song So what am I here to do Sitting in the corner of the modern, moss-green, vibrantly street-lit café, A damsel in despondency, A variation of your favourite four-course strings A broken-down parlor path with a shiny diamond entryway and glass slippers lining the blizzard-sinking ships, That match my cruelty My taste for rabid tongue The whispers I wouldn’t let you utter And the hesitation you’d be lucky to never have suffered
Portrait of Princess Tatyana Yusupova (1850) by Franz Xaver Winterhalter, oil on canvas
A chance for melancholia to clash with the force of nature To detract from a foreign film A lost, aching still An avalanche of surprise Beguiled by sheer imagination and phosphorescent icing
That smothers a kingdom like the holiest ghost Always bittersweet to the liking Made for sharp, pristine vengeance
Sans Titre (Untitled) 115 by Eliane L. Guerin, oil on canvas
In my own reserved portrait of solitude Gazing vibrantly at the majestic cars that drive by The classics, the tragic The ancient and recumbent Reoccurring in stunning ways I could not even think to properly illuminate in due time Typing Silently Wishing you were next to me Smiling The way you do The way you do So magnificent Eyes glimmering in concave and crimson, blue God, I was this close to being obsessed with you
I feel like A teenager An angry one A bitter fool Mad at myself because I brushed away the The fleeting thoughts of nah, he won’t like me if I say that Nah, he won’t like me if I wear that Nah
The Bath (1874) by Alfred Emile Leopold Stevens, oil on canvas
I’m moving in circles because I forgot how to dance I forgot how to feel alive I trip over my own words Everything is in disarray I thought you were going I thought you were going I thought you were going to make it work I thought you were I thought you were I thought you were going to make it work with me I thought you were I so thought you would have Made it work with me And that would be Meaningful Hopeful Spontaneously planned Crimson and clover all over Soft rubber bands
Now you’ve got me in a pit and you Hung up on me I threw my cellular device on the street I don’t want to talk to anybody Anybody at all Anybody at all Anybody at all Anybody at all
I’m not writing another poem about a boy that doesn’t have the strength to come Tell me it’s not working Stand there in your clandestine flesh Stand there, giving me a real piece of yourself Look at me with dandelions in my hair
Mending the Gown (early 20th century) by Adolphe Borie (1877-1934), oil on canvas, figurative artwork
Don’t say I’m too charming for you Tell me I’m too alarming for you Tell me I scare the living daylights out of you
And you’ve got other girls calling you Answer the phone in front of me Take the flowers out of my hair Push me down on the tar-stained sidewalk Bully me like you do on your bad days Get your way
That’s how I want you to leave me
Not like Not like Not like Not like Not like Not like Not like Not like
Open Air Interior Barcelona (1892) by Ramon Casos i Carbo, oil on canvas
Free verse poem: Spiracles of abdomens (your story)
You, you You Almost make me melancholic But if the symphony hasn’t heard of me I’ll sit on cobblestone and write by the fence I’ll engage, with soft-lit edges Spiracles of abdomens Golden youth, we marvel like Ants in solitude Separated from one another But not for the entire evening Not for the rest of our story
A smooth enhancement A sharp critique I step slowly, carefully Catching my reflection in the floor-to-ceiling mirror & readjusting my Chicago Cubs cap That makes me feel like I’m home In my skin For the rest of my story
The white carnations are dying and they look almost more beautiful with acute angles cutting their dismay I’m out of flower food But a homemaker nonetheless, I pay tribute to my residence I glide slowly through the streets on a white bicycle that has “Seven Peaks” written in a cursive print similar to the tattoo on my right forearm My tribute to a honeymoon that never occurred My golden, sporadic sailing through a lake that ends in fleeting desperation For water For vengeance And I withhold apprehension As I look for a few more moments at my porcelain figure, Beginning to admire the grace that I emit On this spinning planet Where God always knows if you’ve finished your breakfast And thrown away your leftovers
To remind you of the fact that I Am here, somehow, with a watch that is more beautiful than I could have requested The cursive print is like the tattoo that reminds me that Despondency in your wake is no reason for one to hesitate An afternoon of slumber is fond of my delicate breath and the weight I put on my mattress as the bedspread confronts the curves of my legs Dimly tan from summertime by the water Cold and rotten is the fiber sheath that transcends what I’ve known to be Detachment from minute frustrations and incidents that in my former being would have sparked marked uncertainty And I, do, become uncertain But find a cave to lay my head without needing feathers embedded in satin On an August day, I am briefly saddened Because his birthday is coming up and I won’t reach for the telephone
I’ve got to get out of here I’m turning in western glances and forgetting romance is Something to complement me, not complete me A swan lake, a river with no riverbed Flowers left at the gravesite because I, miss you in ways I hope you know I hope what follows
Will give me more material to write, always Reminding me that ants in solitude Are only temporarily confused
And they find each other in the dark Complementing each other