Love poem: Someone new (pastel pink blush)

Love poem: Someone new (pastel pink blush)

You were a one-man show
Hardly feeding off the audience
And I was so afraid of ever letting you down
But when I think of last winter
I lose my train of thought
Like my body’s trying to tell me
Not to go back there
Not to stay aware
Not to send you a letter to let you know I’d be there

I don’t have
Any photographs
Because I thought I wasn’t the type to document things
And when you’d leave the table
To take a call
I’d find comfort in sitting alone at the bar
Like I showed up on my own
With nobody to remind me
The emptiness of staring in the corners of the eyes of my boy as he’s gazing away
Not taking notice of the blush on my cheeks
That I re-applied several thousand times
To paint myself as
A happy girl
A happy girl
The corner of your deep brown, vacant eyes

I stayed awake, most nights
Couldn’t bear to turn off the lights
Had stunning pink visuals running through my neural fiber sheath
Racing our cars against each other
Through the wind and never without
Asking about your day because that, to me, was the most important part of mine
How I grew so tired sometimes
Wondering if I had
Mistakenly locked myself up in a basement surrounded by mirrors
I could never bring myself to look in because
I knew
The light pastel pink blush on my cheeks
Wasn’t quite right
Wasn’t quite right

Sometimes I hear a song
That I think you might like
I guess I’m still wondering how to make you feel better
It wears me out
I turn off the sound
Because of this, it just doesn’t feel right
It just doesn’t feel right
That it’s a Saturday and I’m alone tonight

But it’s like I’ve arrived at my desk so that I could sit with the silence
Wondering the count of the distance between us in miles
Ripping the Christmas card I bought for you into small pieces
That was old news, old news, old news
Maybe next December
I’ll have gotten over you

And that could feel
Quite right
And I could turn off
The light
And I could get my blush
Just right

By being with someone new

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Love poem: As vacant (mine)

Love poem: As vacant (mine)

It scared me so
I knew
We were going down
I knew
You would not turn around
And still
Like a beat
I’m made of memories
Crystal castles
Made of ashes
My forgetful apprentice
With wrath like a vengeance
Misinterpreted my withdrawn
Glances at the sharp, flawlessly glamorized corners of the living room
(Mine)

Velveteen heart-shaped sunglasses
When I’m asleep, you know it plays
Again on repeat
The things
You said
When my hands were in my lap
I can’t
Even sleep
I can’t
Even sleep
I can’t
Even sleep

I can’t
Find a song
That makes you make sense to me
More than
The last
Few words you sent
And how
Fast I sank
My teeth
Into my hand
To keep
From setting my bedroom on fire

All the wires
All the while –
They surrounded me like filth
Carcasses of your hypnotic, granite, carbon imagination
An avalanche of insecurities, I thought I had
Swallowed
In a strawberry, lime, and gin cocktail
Held fragile

An escape would be too good to be true
Though it wouldn’t make me think less about you

Soft skin
In collapsing horizons
Pitfalls
Two doves on a swing
I’ll give you my everything
Every last piece of marble and copper

In the mornings, we eat vegan butter on toast
And our evenings of suffering remake every inhospitable, tarnished spider web
That fills us with a skepticism
Too delicate to absolve
(Mine)

In waves, so transient
A hospital bed
With white flowers for
For me, for me, for me
For me, for me, for me
For me

And I deleted my profile because
I can’t handle falling in love again
I can’t help
I can’t handle
I can’t handle falling in love again
I can’t help
I can’t handle
I can’t handle falling in love again
I can’t help
I can’t hang
I can’t feel

Anything that could get me close
Anything that could get me close

We were so close
I can’t help
I can’t help
Thinking we were so close,

Like an inopportune sky
Just there
Us two

Probably as vacant as each other

© Elle Silvestrov

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Love poem: Drawing in a coffee shop

Love poem: Drawing in a coffee shop

This is a love poem, and I wish it wasn’t.

I just want
To cascade over you like smooth waterfalls
Barely a blink
Come up for air
In the clandestine, vogue-painted closet tone-deaf chambers
Where satin and silk are interchangeable,
Even though the mechanisms stretch far past
What the modern seamstress can manage
Irreversible damage
To my hippocampus, and I think it’s making the horizon easier to navigate
Isn’t that a lovely thought?

Jolly ranchers for two, I’ll split one with you
I’ll split you in two
The grave filth that the manager keeps echoing in his 9-story apartment building
The couple on the seventh floor doesn’t know their floor has a leak
And I feel like I haven’t been asleep for weeks
For a prime suspect, I make a good candidate

And I make my bed
Before sunrise, or in the afternoon
I knew it was too soon to move in
And a panic started beckoning within
But if steel fences were like a goldfish that looks at you with a sideway’s glance when you’re paying attention to both his soft edges and the horror of your depleted reflection upon the opaque glass water chamber
I’d be able to dissolve my fears ambiguously
And not hold a ceremony
Because I don’t like being on stage

Nor holding a payphone
Nor sitting in an airplane aisle seat because I think that’s too far away that I am from blue
I don’t regret letting myself want you
For now, the trail has narrowed, and I’m even more sure of the concepts that my timid nature thought I knew from before

But hadn’t yet fully absorbed
Even though my nerves
Stood still with dawn’s headlights shining their vinyl arterial lining luminescence forward
Softly but forever remarkable
Diverging a separate path for a quiet evening amongst the vivid skyscrapers,
That spill vacantly flowing and simultaneously churning blood all over the paved city streets and their locked corridors
A lost art, I’m sure

I try not to step too close
I love my lavender bedrooms wall the most
I might as well write a poem about how they surround me, like silk cotton webs that disappear when touched

A new collection of elegant charcoal grey fine-point pens
With ink that covers the palm of my hand
A grocery shopping list
Paid my bills on the fifth
And ever since we split
I’ve been wondering if nostalgia feels different to different people
Or if there’s a place where one can collectively mourn
To feel part of a generational gap that
Splits into definitives
Like a blueberry raspberry sorbet cut into two separate wholes,
Both of which are for me

I turn the pages; I adjust my glasses
I picture my cat telling me she didn’t like you
And I almost laugh at myself, but then I think that would be strange
I didn’t like the way you tried to pull her off the bed
But it said so much
I was probably too hungover to think very much of it at the time, that very second in your transparent presence that awakens me now
But now, with my caramel espresso and my obsolete, filed manuscripts
I venerate how smooth of a current I created

Like the gentlest riverbed
That you could fall off your yacht into
And it would absorb you without agony
Without desperation or offbeat candor
A modern-day orchestration of a segment of contribution
You – to the waves
The waves to the mariner’s life
The ships to the tide pools,
The time I couldn’t find, the time to divide

If something bigger than you consumes you,
Without delineating a debt,
Without drawing a line

How close is too close before it becomes just fine
How fast do we absorb each other’s embers before we collapse in time

I still think of how I looked at you while you were drawing in the coffee shop

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Free verse love poem: Speaking volumes (white florals)

Free verse love poem: Speaking volumes (white florals)

I’m in the pool, with your gentle gaze moving toward the horizon
Smooth riverbeds, crashing yet
Solemn
Tender in their collapsing wake
My sovereign ways trap you like hurricanes
Find slumber in the rectitude of my rendition of a classic painting of a
Prince attending to a young queen
Dismayed at her place, though in a quiet peace,
That glances violently towards a moral upbringing
A softness I couldn’t portray

The Dressing of the Favorite (1857), oil on canvas, by Henri Pierre Picou (French, 1824-1895)

A sea-foam fog dynasty I swore was mine
I told you the truth
It mattered to me
I found thoughts in my mind that I couldn’t hold back, entirely
Though I did my best,
To provide you with rest
My satin sheath, vibrant with scarlet cardinal fibers
The delicate breeze, like rapture
Golden but never, truth be told, reflecting lightning that makes marks in the sky
A tribute to no one
Is every structure soon to fall down?
The bolts unfastened, my lace dress & ultramarine form
A silhouette only God could have created
A boldness that scares away anyone who isn’t
Strong enough
To hold a woman in his arms and
Not want to change her

The light pink August calendar I have on my contemporary glass tabletop
That forgot the date when we
Began things
Paved was our course with giving looks at each other like we’re in a vintage film
A theatre for just the two of us
Hopeful dedication
Watching our past conversations and having new conversations about those from before
We don’t run out of things to talk about
But when you find me watching the cars on the road pass by us, viciously,
Counting the trucks
Taking note of their model and make
You see something in me that I could not tell you
Not because I can’t find the right words
I always find the right words

Along the Siene, Winter (1887) by Frederick Childe Hassam (American impressionist painter, 1859-1935)

I don’t know what you know
And I don’t know if you know me
But when your gaze becomes increasingly familiar, I cascade into a
Reflection interrupted by the silliest words you stream together
A childlike ambiance, golden in accuracy
Crisp like a wave’s current
Interjected with passing a cigarette lighter
Getting higher
From rays of the subtle light of day,
Muted only in temperament
Dulcet on the edges
I told you I was yours
I meant it, of course

Le Baiser (The Kiss) (commissioned by the French state in 1888, carved between 1888-98) by Auguste Rodin (French sculptor, 1840-1917)

We stop at the gas station; you run in to the corner store; you bring me honey green tea
For your girl (that is a friend)
Patient and kind
A dove’s brisk white feathers
Softer than mankind
Rougher than a woman’s fingertips
Comfortable in the chaos
Surrendering to a time when you could count the green specks in my eyes
And smell my white floral perfume

It seems as of now we have moved on to the Heavens
Where you call me Venus
And I mistake you for someone I’ve never known before
An oceanic climate to the boulders we create
When we feel inclined to say
Why do I like you so much?
Why do I like when you’re rough?
I do still find, thinking to myself, whether I’m good enough
But when the porch light comes on,
I move the thought along
To the binder where I keep my disarrayed opinions
Resolving to find
Some water to allow
My throat to stop tightening when I get up during the night
Patience, my ever-present accomplishment, finds its way to you
Presenting an elegance you couldn’t get from anyone else

Improvisation (1899) by Frederick Childe Hassam (1859-1935), oil on canvas

I find myself in spaces
When you are absent
Distress being transient
Because your face is

A discernment I couldn’t get from anyone else

The Aleutian mountains and the disintegrating cliffs
Couldn’t mask the foundation I thought we’d bring
Resolving to find
Some water to allow

My throat to stop closing when I sleep at night
I wonder if styrofoam composure could fail to observe my fright
To weave in serenity in light shades of pink,

On days like today, I’m unsure how to drink
Come, lay in bed

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Love poem: Grey t-shirt (chamber orchestra)

Love poem: Grey t-shirt (chamber orchestra)

A love poem about admiration & being interpreted as an authentic rendition.

A chamber orchestra to tell you that
I liked you in that grey t-shirt
Where stillness isn’t illness & former wounds don’t hurt
Moving my bed for me
Minding the carefully close-cut angles
Sweet diamond necklace for
Your baby girl
Soft as a feather
Lie here forever
Absorb the crisp meadow fog that bestows upon us
In our transient youth
We carry inherent truth
Teardrops like vessels that transmit to the azure
My ivory-white dress
Hair is a mess
Porcelain flesh

Find me in your wake

We drift like sovereign kingdoms unheard of
I don’t know your middle name
And this playground is made for the game
We play where you hold me when it’s dark outside
And the streetlights have yet to become undone
Every weekday I rise before the sun
Make you early morning toast
Vegan butter for my lover
You make me laugh in ways nobody ever has
And you’re so good at that
Turning my eyes lilac

Eyelashes painted tar pitch black
Tainted with dismay, but
The softest, quietest features make up your
Sweeping shoulders
A worn man with a contractor’s tan
That moves like sunbeams across flourishing streams
Finding meaning
Hope is so fleeting
But like windmills, we find a day’s work ahead
And you crawl in bed
Influenced by times I had said,
I would be here to calm your nerves
Patient and kind, like a little bird
I’ll be so warm, nothing has to hurt

I set a little trap; in it, I gathered dewdrops
Fragrances from the heavens
Get me home by eleven
Lay on your truck bed and I tell you I’m scared
The future felt obsolete but,
When our gaze meets
I find you in a pocket of porcelain teeth
Gnawing at the frostbite
The howling of the mariner’s night
You rearrange your textbooks and I, light as a pinion
Slip out of the way and I want you to stay
In your grey t-shirt so I can admire
The fibers that overlay your hardened shoulders
Something inside me no longer unnerving
The weight of the earth no longer a burden
You’d go mad from the chaos in my sheath

A smoothness to my skin that absolves sins
The way I’m lighthearted, like no one ever departed
Leaving me to stand in the snow that is falling
And it is now that I think I am stalling
From telling you, I see
Amber rays underneath your eyelids
In the near distance, a gathering of kids
Laughing like God allowed them to celebrate
We’ve got our entire lives to make what’s never been made
Your swarm of avalanches
The dark-cornered branches
This is my stop; I’m home now and
In mint julep transience and snowy ambiance
I’ve somehow arrived in your department
The flowers in the vase in the center of my apartment
The things that make me smile before I go to lock it

Behind me to turn to you and
We drove through Stars and Stripes
Detonating furiously like January ice
We slipped and fell in front of a chamber orchestra
A noise I can only recollect when you object
To me, choosing a spot in the shade,

You want the sun’s rays to cast their marvel on my figurine, my sugared marmalade
Vast open skies
Graceful, feminine thighs
I’m fair-skinned, I know, but your words go to show
You want to have me in the best possible light
Get the green in my patient & reserved eyes, just right
Note the ash blonde strands that are tied with a ribbon
Falling slightly on my face,
Terrible thing to waste
Being at the right time at the right age

When you are near
I don’t have to fear
That I will be seen differently than I am composed

It’s gentle velvet days and nights like those
That I don’t mind you being so close
In your charcoal-grey, woven-cotton t-shirt

To see me as delicately as I am composed
It’s silk & satin days and nights like those
That I just love you being so close

That I just love being in love, almost

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