Love poem: Never leave

Love poem: Never leave

The suffocation of the engineer
You tell me you’re coming my way
But when my lip colour and mascara are on,
You say you’ve got too much on your plate
And so I hesitate to
Relax in my bed
Because I’m too restless to
Get you out of my head
It’s a priceless opportunity
Dreaming with ice cold chalk
I’ve got all of these beautiful dresses
But the penalty is melting because you must have forgot
I could be intolerant
I could be so angry!
But I’m like amethyst
So sweet like luxe candy

Love poem: Never leave [continued]

Forgotten me in
Streams like I’m a nonchalant goddess
Admired as I sit upon
Something nobody else would have thought of

And I try real hard to love myself
So much so it’s getting exhausting
I’m overshadowed by the florals I bought for myself
When they die, I feel like they’re either more beautiful, or forever haunted

I’m not alone; I have a kitten.
She keeps me company when I’m bitter
And the bees come in when I train my dog
There’s a beehive on the roof that’s offering quite the glitter
Am I so impatient it’s wrestling my mind
Tormenting me, like I just want you
By my side
And I just want you to
Kiss my thighs
The parts that are broken
That you’d be taken by surprise
I’m so impatient
That it’s wrestling my mind

Love poem: Never leave [continued]

I think he’s in a fight with himself
That I, of course, have no responsibility to fix
He eats the front door locks for dinner
Don’t know what I can say about this
Brings me flowers, not quite
Am I made for opportunistic tendencies
I think not because
You’d want to make me smile

Make me
Comb through flesh
Get me
Off of your chest
Make me
Cradle myself
Haunt me
Go find yourself

Love poem: Never leave [continued]

Needs no gas
It runs on chalk
Needs no gas
It doesn’t come
Needs no gas
It runs on chalk
Needs no gas
To come my way

Needs no gas
It runs on tar
Needs no gas
It won’t forgive
Needs no gas
To come my way
Needs no gas
At least he’ll never leave

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Free verse poem: The evening spent waking up (Chicago)

Free verse poem: The evening spent waking up (Chicago)

Tell me a fable
A pretty one
Lie if you can make it half-decent

It’s as if embers from my rotten tomb have come back to life as
Soft pink edges
Anatolic, seemingly vacant rings of fire
Undertones of bluish-grey with a violence that
Covers me in indifference
But I want it to be rapture, in evocative coincidence
A tint of reimagined tendencies
My scattered disarray of silenced opinions
And violet ultramarine hesitation

I try to be gentle
But I step on leaves that crack
Crossing my fingers, there wasn’t a snail
Underneath

Behind my trepidation
There is a vicinity with a lakeside residential view
I couldn’t breathe when you were holding me
I felt like I was becoming discolored
Wondered what part of that I devised

A satin grey globe where we
Envisioned our honeymoon
Picked out places, names that seemed familiar
A euphoric but decidedly shapeless language
A foreign body
Like tectonic plates
Smooth, but not comatose
On close on purpose
A bittersweet taste
A light that turns on when you want it to be dark
A fire alarm
That burns

A missed left turn
Turn the page, crash, and burn
And still I stand at the cashier, holding dollar bills that are paper thin
Like the epitome of a half-circle
Like the cigarette, you don’t put out
Because you let the street take care of it
Cherish it
Marinate it in the heat of October in Los Angeles
A vehemence down beneath that which can’t be seen
And is never spoken aloud

Imbued by a cityscape, I miss more than you can possibly imagine
The twinkling city lights
A cacophony of everything that was so right for me
Felt so good to me
And the plasm lost its charge, and the dewdrops disappeared
I never quite got over it

Chicago
I miss you
The way you held me close to you at night
Nobody ever did it better
Than you

I’m finding it hard to
Be like a daisy
In the breeze, that moves my hair
To the other side

I hold my head in my hands
I feel like

Coming apart tonight
To tell you the truth

Endless interlaced reflection symmetry to tell me I am not what someone wants to find
Not what anybody would look for
Unless they were as disillusioned as my perception of self

Though it seems that tonight is the night
I warned you
I told you
I’m coming apart just right

Nobody ever held me like you, forgetful city

Love poem: Don’t leave (me be)

Love poem: Don’t leave (me be)

I’m unstable
And I can’t tell you I’m unstable
Because I know you’ll leave
I know you’ll leave

I Think I’m Ready Now (The Mirror; the Pink Dress) (1883) by William Merritt Chase, oil on canvas

I look at my telephone; I put it down
I’m running around
I try to picture us together, in the rose gardens and wildflowers
But I’m holding on to a secret that’s like a back brace you don’t see me carrying
I act in idiosyncratic ways
And when I lose sight of your gaze,
I go in transient circles, wondering if I’ve lost you entirely
Come, lie in bed with me
Breathe beside me
Breathe out your exasperated fumes, and I’ll intake your carbon dioxide
All I can get
To move on to the next page
To avoid being stagnant
But it’s out of habit
That I crawl under the covers and I shut my eyes
Praying, only praying, that sleep will come bless me
Like it does, you, when you’re tired of fighting

The chaos that is driving me to combust
To erupt in fragrant comatose remedies only made for
Heavenly maidens under God’s brightly lit eyes
I’m not that type of person
I’m the one that lives with the curse in
-side me like a poison
That’s stumbling and rocking and weaving in between the Heavens to serve me a splendor I
Never deserved

A New York Blizzard (1890), By Frederick Childe Hassam

But I would
I should
Get up in time
Take the frostbite right off me
And take off my hospital gown
Surrendering to the amplified surround sound
The blankets we put over your walls to keep the vocal tone pitch in the points that mesmerize us the most
Haunt us until we’re comatose
In bed with the flu
Poor, sick thing
She’ll be fine by the morning

She’ll be fine
She’ll be fine
She’ll be fine
In time

I awaken in a wretched state; I’m ghastly and ill and,
I hesitate
To reach out
I know how these things go
I know I’m alone
I know my despondency is tragic, in a way that shakes you
Like you don’t want to be shaken
Nobody wants that in place of a lullaby
And I can be that-
That soothing, transient, hypnotic daze
But I’m succumbing to old premonitions
I’m losing the battle
And I can’t let you see my struggle

Lady Constance Leveson-Gower, later Duchess of Westminister (1850) by Franz Xaver Winterhalter (Museum: Royal Collection)

It’s not pretty
It’s not on purpose
But it’s oh so purposeful
I have to move on to move on to the next page
The next page where we’ve arrived at Saturn and your eyes have a glaze like a beautiful vegan donut in a ceramic box
A chamber where I don’t make a noise
Not because I don’t know how to
Because I know not to
I just know not to

I’m losing this battle
Nobody’s on the line
And I know, I know, that in time I’ll be fine
But how I wish
Can only wish
That you were here to tell me

The twenty-seven different beautiful things you see in me
And how that projection spontaneously came to be
That’s what truly most interests me

Interior of a Baroque Church (circa 1660) by Emanuel de Witte, oil on canvas

But I won’t ask
Shove the covers and refuse to speak to my mother
I go through everything alone; it’s the way this life paves
One day I’ll be at the Heavenly gates asking for forgiveness

And I don’t think that’ll be quite in store
Or offered
To someone like me

Will you still love me?

I’m too scared to look

Free verse love poem: Florals on film (white dove)

Free verse love poem: Florals on film (white dove)

Short but sweet
I’m a plate of coconut-sugared honeydew
In the azure-blue wave of the evening sky,
I make my way to you
With a glistening undertone to my green eyes,
That you swear are hazel
Because you don’t look for long enough

Receptive, and kind
Is this a love letter to myself?
I want what I have to give; how can I be more transparent
Always feel like I’m tearing –
Apart music venues, but all I do is hang concert posters
Artists that I work with
They trust me with their craft
Something makes me think I should be proud of that
But I’m a mellow girl, tend to be more relaxed
(Because when it’s about me, I get frostbite)
Amputated in broad daylight

When you came over and laid on my satin blush-pink bedspread and stared at my lilac & steel grey walls,
I almost became afraid
That you’d get the wrong idea about all the wedding dress advertisements
They’re just for decoration!
(Can’t a girl feel elegant in her own residence?)
I’m not looking for tulle, when I try to breach the lull
Apprehensive about if you read what’s on my whiteboard
Like I’m the kind of person who needs inspiration external to self
But it’s all me
It all comes from me
I am the doyenne of my own prosperity
I need my very words for my sanity
And you – laying there – you probably didn’t notice
That I like white flowers too

More than my love for the moon
More than vegan blueberry pancakes with homemade butter
Horse-drawn carriages always made me sad
But a cowboy’s relation with his horse is what I admire
Absence of solicitude makes me so tired
I refused admiration for so many years
But oh, what it would be – to be softly admired!
Take away the high opinions
Give me real touch
To fawn on, to adulate
To feel you’re enough

Vindication has two different definitions, and they’re not at all alike
One is to remove someone from suspicion or blame
The other is to prove yourself right
That’s not how I want to spend the evening tonight
Even a white Mourning dove comes bearing a beak
The most indifferent amongst us would cite that as weak

But I am very familiar with my satin blush-pink bedspread
And after a long day when I rest my tired head

I think of white florals and play Baby Breath & Calla Lily film reels in my mind

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